Marlin-glenfield Model 36g

FRAMES OF THE NEW ECONOMY, show Public advertising (creation 2002) no longer turns

FRAMES OF THE NEW ECONOMY

JAW 36 in advertising is a big game live, at once poetic, magical and squeaky; posters cut foil with mechanisms and raw scrap. A constant shift in word games and tricks, a show of promotional release, a UFO uncontrolled, a daydream ... but fake, manipulated in obvious bad faith ...

In the streets, on walls, displayed in public advertisements in the frames. A mechanical image and word relentless. Wholesale Box slogan: "FOR SALE". By promises, dreams, travel, color, action plan, a fairy coaxing, playful. "It's a case that works," we are the class winners, self-made men, angels, New Bizz players.
In the frames of the new economy, a world within reach, a story of manipulation, history of puppets, illusions, special effects. Pulicitaires animated images, the strength of the wrist, with bare hands. "But who pulls the strings? Here behind the scenes ...

writing: Estelle CHARLES, Fred Parison
staging: Estelle CHARLES

staging / construction: Fred Parison

actors: Eric BEZY, Noemie Carcaud Fred Parison
soundtrack: William Parison

director: Gilles Dumait David YELITCHITCH

In co-production with Stage and Territories in Lorraine-regulated theater

project supported by: Regional Direction of Cultural Affairs Lorraine, Lorraine Regional Council, General Council 54, of Nancy, ADAMI

Ap Bio Lab # 4 Awnsers

HE SNOWBALL

"IT IS SNOWBALL!" a show of manipulated objects and mechanical all public

this could be the memory a Christmas track from childhood on the mist of a window, a fresh footprint in the snow, or a ballet of mechanical toys.

It would be a record for the magical Christmas objects with mechanisms and machines, tips, gadgets, tricks of sleight of hand ... and a refrigerator and more.

writing, construction and play: Estelle CHARLES, Fred Parison

Arnaud Martin pictures

In co-production with 57 APART

project supported by the General Council 54, and the city of Nancy

Black And Decker Blender Service Canada

AQUARIUM L (creation 1998 and 2000) no longer turns

It would be unfortunate if all dumps disappear on the horizon of 2002. They are the witnesses of our time. Our consumer society has become accustomed to throw everything away, so the sea became one of the venues for the oblivion of our waste (out of sight, out of mind) and looks more and more like a real trash.
It is for us to get the squares of cities and villages the result of this slow agony in the form of a giant aquarium fictitious defined by a cubic metallic structure, without water proof walls, filled with wildlife and aquatic flora somewhat dilapidated, made from various wastes. By putting pollution in the center of our show, it seemed logical to use as a raw material-object trash and recycle the animated object.
All these scraps are indeed tampered, adulterated, assembled to create a real underwater landscape in motion, with its fish, shellfish, algae and its monsters of all kinds.
The magic of the diversion of objects, setting in motion of inert waste resuscitated, tinkering with its mechanisms and tricks apparent form the main show. They help to revive the viewer the charm of old toys, playful inventiveness finds unnecessary constructive and wonder of the show at 2 under.

photos Fahim Gaballah

gestural and delusional actors manipulate and recreate the view in different worlds, merging into a series of sequences where characters, fish, and sea monsters' s invent adventures bathed in mystery suspense and kitcheries between reality and derision poeticized.



Sea Life / d'ordures the underwater brush, hunting to 13 golds, the tide dressed in black, the teeth of bitter dogfight, 6 queens for a false alarm. ..
All snorkel in a soundtrack hypnotic, a sort of sound collage undulating rhythms varied atmospheres recalling some pictures. (Sound effects, music, comments, rejoinders and stereotyped dialogues moved).

writing construction staging: Estelle CHARLES, Fred Parison

construsteurs: Fred Parison David YELITCHITCH

actors: Leatitia ANGOT, Estelle CHARLES, Stephanie Constantin, Natacha Henry, Emily KATONA, Alice LENOIR, Fred Parison David YELITCHITCH

soundtrack: Frédéric Bailly, William Parison, Fred Parison

sound engineers: William Parison, Gilles Dumait

project supported by the General Council 54, the city of Nancy, Challenge young, tropical aquarium in Nancy, AGEF

How Much Is John Crier Paid Paid

MAY BE A DRAGON IN THE RELEASE OF DOGONS

Maybe a dragon in the Dogon! "For this little

short form (10 minutes), jaw 36 is reduced to its simplest expression. We can speak of a very personal experience. Fred designs, handles and drives all her little world, a little world, which for this proposal to stick to the skin.



"I could write a text, just text, but he missed
images ....
I could take a picture, but he missed
color ....
I could make a painting,
But he missed the movement ....
I could make a machine
But he missed the life ... ...

So I mixed everything I tried, tried to build a small visual form with all that ... "

An attempt

fragile, unstable, equilibrium, to describe and speak of a present somewhat autobiographical, a mix constantly bubbling inside, and sweet contemplation of the life that revolves around us.




"just relying on a" search inside the dragon "and the shape of the dragon's body, curves and turns, I see this little short form as" an exercise of style "occurring as a visual poem, sinuous, with the central image, the curve and meander, all pretenses and other evocations rantings. "

Arnaud Martin pictures

"

Given to see under the starry sky, set in a little corner of greenery, even the grass, dirt and dead leaves, the device and the various buildings are reduced to a crude DIY, on the extreme simplicity. Using twigs, twine, a few planks of shadows, projected images, all manipulated by hand.

A form that can bring a sketch, an outline, a sketch ... ..

writing, construction, staging, game: Fred Parison

In co-production with scenes and areas in Lorraine-regulated theater

White Dresses For Sorority Initiatino

Silence (2007/2009 creation in progress)

photo of Jean Pierre Estournet

SINGULAR JOURNEY. PATH ... The show


The Dispersion of silence will be held at night, in a natural setting. Ie both in a public park, that in a campaign.

In this garden, the viewer is invited to a night wandering, solitary, free, and without a guide, if not his own feet to indicate the direction to follow. Based facilities, moving objects, images, light, shadows or images projected, it will leave its susceptibility to wear it, will have the opportunity to stop and retrace his steps, sit to listen, to follow his steps back, not that lead to a point in its journey to encounter the living space of an actor, carrying the story of a road injury, setter / narrator 's a unique story.

The viewer is invited to come and hear this story. Among the three, six or nine portraits stories. Each actor, person, character, will support thirty spectators to whom he is bringing his urgency to tell, testify, to speak. The actors give body to text, words. They will each be alone in a given space. Each site will be installed, lived in relation to the story will be done, according to the personality of the "witness". The actor will be a smuggler. A passer in history. He will hear, give substance to the words of his mouth so that their bodies, they resonate with each audience. For one never forgets. And maybe we will recognize in this story ...

And then this story will end, because what needed to be said has been, and after verbalization, the words following their path, where they fell. And in turn, viewers will be invited to resume his march. Maybe he will listen to another person ... maybe not.
Thus, each pathway for each spectator will be singular.


And when all is finished, everyone revives the thread of his story and wonders why he is suddenly the urge to lie down under a summer sky, seeking to recover in the face of the clouds the child he was and he remembers being suddenly yet. He thinks. Just that.

photos Olivier Chambrial align = "justify">

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TEAM 2006 (overview of projects The FAI AR, Marseille, step 1)

writing and staging: Estelle CHARLES

staging / construction: Fred Parison

actor: Barnabe Perrotey

photos Olivier Chambrial

project supported by the FAI AR (advanced training and touring arts of the street), the Theatre Gerard Philippe Frouard , ARIAS, the Abrasserie, Lézarap'Art, the Association France Chechnya solidarity