Tuesday, March 27, 2007

Alprazolam For Public Speaking

Modernity of Julius Supervielle


poetic terms, first:

Supervielle Jules has always kept out of the Surrealists who literally ruled the first half of the twentieth century (remember that the Manifesto André Breton 1924). Desiring to provide a more humane and poetry to reconnect with the world, he rejected automatic writing (as the Surrealists themselves quickly abandoned) and the dictatorship of the unconscious, without denying the achievements of modern poetry from Baudelaire, Rimbaud and Apollinaire, as well as some fundamental innovations of Surrealism.
Attentive to the universe around him as the ghost of his inner world, he was one of the first to advocate this vigilance, this control that subsequent generations, away from the surrealist movement, were put to the honor. He anticipated the movements of the years 1945-50, dominated by powerful personalities of Rene Char, Henri Michaux (his close friend), Saint-John Perse and Francis Ponge, then - after the parenthesis pioneering the years 1960-70 - those of poets who want to create a new lyricism and introduce some form of sacred or at least, a more modest approach of the mysteries of the universe, without radical questioning Language: Yves Bonnefoy, Philippe Jaccottet, Jacques Dupin, Eugene Guillevic, Jean Grosjean, Frénaud Andre, Andre du Bouchet, Jean Follain, to name a few.
His admirers call or spiritual successor Rene Guy Cadou, Alain Bosquet, Lionel Ray, Claude Roy, Philippe and Jacques Reda Jaccottet ...